Rod Modell: Incense & Blacklight
In my opinion, Rod Modell has come a long way since his ambient days. Incense & Blacklight contains some of his best tracks to date, even as he explores cold, uneasy territory.
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In my opinion, Rod Modell has come a long way since his ambient days. Incense & Blacklight contains some of his best tracks to date, even as he explores cold, uneasy territory.
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Autechre’s first album in nearly three years will probably take nearly that long to sink in, but my first impression is pure pleasure.
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Brock Van Wey.
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At first blush, Murmur’s Undertone seems promising. It begins with simulated surface noise and dub techno chords. But after repeated listens, the tracks are revealed to be dry, computerized minimalism.
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Mike Huckaby reinforces the connection between intelligent Detroit techno and deep dub techno on a 12-inch so good it hurts. On “Wavetable No. 9” Waldorf Wave synthesizer notes are pushed to oozing decay under a cascade of Basic Channel metallic echo. The beat remains crisp while layer upon layer builds. It takes a couple of minutes until the bass joins, growling with menace.
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Bvdub sprang on the dub techno scene last year with two excellent digital EPs courtesy of Night Drive Music/2600 Records and one 12-inch on Styax. Now he kicks off Quietus Recordings with a limited-edition CD-R. The EP is ambient, reminiscent of early Gas or of Rod Modell’s recent Silentes efforts.
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In recent years, the duo behind Basic Channel have turned their attention to re-issuing rare and overlooked reggae.
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10 albums, 10 EPs, 10 reissues
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These days in techno what’s old is new again, with scores of records echoing sounds fifteen years past. On the one hand, there’s a rebirth of dub techno. On the other, there’s a revival of the intelligent Detroit style. Think Juan Atkins at his most melodic combined with John Beltran and Terrace. (The main labels along this line are AW-Recordings, Down Low, Frantic Flowers and Millions of Moments/Styrax.)
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This incredible album from the mysterious Dutch producer Jochem Peteri shows it’s still possible to craft a completely unique sound. Peteri bucks the trend of cookie-cutter dub techno. A couple of his tracks sound like old house records pitched down underwater.
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