Claro Intelecto: Warehouse Sessions Vol. 1-5
The fifth and final installment of Claro Intelecto’s long-running series (which is soon to be compiled on CD) is the most modern and minimal record of the bunch.
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The fifth and final installment of Claro Intelecto’s long-running series (which is soon to be compiled on CD) is the most modern and minimal record of the bunch.
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Quantec’s best work to date is a meticulously crafted album of Chain Reaction-style dub techno.
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Mixes with playlists from the Warehouse and the Power Plant.
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Mixes and playlists from the Muzic Box and Club C.O.D.
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While I wasn’t blown away by the vinyl release of this a year ago, the CD version has grown on me, especially since it makes great driving music. The other day on an afternoon trip to Albuquerque, I cranked up these mixes, and the combination of road noise and puttering chords was perfect.
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Kettel is one of the few electronic music makers to wear his heart on his sleeve. He isn’t afraid of sweet melody, and he has the confidence to mix old and new sounds. He follows up last year’s beautiful Whisper Me Wishes with some of the warmest acid tracks I’ve ever heard.
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This first compilation on Arne Weinberg’s label is a wonderful introduction to overlooked artists crafting techno in the Detroit style.
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Yard takes his fascination with surface noise a step further on this new 12-inch. “Detrit” is a crunchy, crackling techno track with a slow-building melody.
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This 12-inch came out a couple of months ago, but it’s too good to skip covering. The original track, by Aaron Carl, is deep house originally released on Mike Banks’ Soul City label in 1996.
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Despite the recent glut of dub techno records, it seems I still can’t get enough of the sound. This compilation is the first release on Detroit-area Pronounce Records. Most of the artists are new to me, but they have all perfected the art of crafting deep tracks with reverberating chords and slow, heavy bass.
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