Bvdub Interview
Brock Van Wey.
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Brock Van Wey.
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I had the misfortune of choosing to first listen to this mini-album by the UK duo known as Formication at about one o’clock in the morning, with powerful winds of 70km/h whirling at my window in the blackness. The ambience was creepy enough without the music, and when the first sounds of Agnosia began to fade in I feared it would be too much, but I listened, paralyzed.
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At first blush, Murmur’s Undertone seems promising. It begins with simulated surface noise and dub techno chords. But after repeated listens, the tracks are revealed to be dry, computerized minimalism.
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Mike Huckaby reinforces the connection between intelligent Detroit techno and deep dub techno on a 12-inch so good it hurts. On “Wavetable No. 9” Waldorf Wave synthesizer notes are pushed to oozing decay under a cascade of Basic Channel metallic echo. The beat remains crisp while layer upon layer builds. It takes a couple of minutes until the bass joins, growling with menace.
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Bvdub sprang on the dub techno scene last year with two excellent digital EPs courtesy of Night Drive Music/2600 Records and one 12-inch on Styax. Now he kicks off Quietus Recordings with a limited-edition CD-R. The EP is ambient, reminiscent of early Gas or of Rod Modell’s recent Silentes efforts.
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In recent years, the duo behind Basic Channel have turned their attention to re-issuing rare and overlooked reggae.
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Run_Return is the post-rock, almost jazzy output of duo Kevin Dineen and Tommy Fugelsang based out of Santa Cruz, California.
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The album begins with a chopped hip-hop beat clunking along an ambient drone and some distant chords. This essentially goes on for 4 minutes—welcome to 1999. D’arcangelo have been mainstays in the realm of experimental electronic music ever since their first release on Rephlex back in 1996. Combining elements of electro hooks and ambient atmospheres into their experimental music, I have always anticipated their next release with excitement.
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10 albums, 10 EPs, 10 reissues
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These days in techno what’s old is new again, with scores of records echoing sounds fifteen years past. On the one hand, there’s a rebirth of dub techno. On the other, there’s a revival of the intelligent Detroit style. Think Juan Atkins at his most melodic combined with John Beltran and Terrace. (The main labels along this line are AW-Recordings, Down Low, Frantic Flowers and Millions of Moments/Styrax.)
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